American cellist, Daniel Gaisford enjoys a career that has expanded over 30 years as a soloist, chamber musician, recording artist and teacher. Hailed by the New York Times as “transfixing,” and The Philadelphia Inquirer as “remarkable." After hearing Gaisford perform, the Senior Editor at the National Review and Critic for The New Criterion Jay Nordlinger wrote... "Gaisford is an American cellist and not well known. Why this is so is a mystery - and it teaches us something about the music business. When I first heard Gaisford in Philadelphia, I was stunned: How could there be so good a cellist I had never heard, or even heard of? Evidently, not ever master is on the covers of magazines, or the covers of CDs; some have unorthodox careers. Gaisford has a formidable technique and a formidable mind. He can make a hundred sounds : fat, thin, spiky, lyrical, rich, sickly, piercing, warm. On the Barge series in New York, Gaisford played with a grave mien throughout. He gave the impression that he was not merely performing a sonata, but doing something supremely important. The Chief Critic for the Philadelphia Inquirer had a similar reaction, calling Gaisford "America's greatest unknown cellist." The New York Times also stated that "Gaisford deserves more recognition." More