The activities of Nathalie Marin, French conductor, overarches both Europe and Latin America. Nathalie Marin has been permanent conductor of the Mersin State Opera (Turkey) in 2017. She has been resident conductor of the Kosovo Philharmonic until June 2016. From 2011 to 2013 she was artistic director of the National Symphonic Orchestra of Ecuador and from 1991 until 2010, she was artistic director of the orchestra Ensemble Orchestra de l’Isère (France).
As a guest conductor Nathalie Marin conducted the Buenos Aires Philharmonic, Mendoza Philharmonic Orchestra, Symphonic Orchestra of Rosario, Academy Orchestra of the Colon’s Theater (Argentina), Brussels Philharmonic (Belgium), the Rudolstadt Symphony Orchestra (Germany), Nice Philharmonic, Cannes Symphonic Orchestra (France), Voralberg Symphony Orchestra (Austria), Symphony Orchestra of Chile, Guanajuato University Symphonic Orchestra (Mexico), National Symphonic Orchestra of Cuba, Symphonic Orchestra of the Habana Gran Theater, Albanian Radio & Television Orchestra, as well as in important theaters as in Colon's theater (Buenos Aires, Argentina), La Fenice (Venice, Italy), Shanghai (China).
Her activities are balanced beetwen symphonic and lyric repertoire. Nathalie Marin conducted numerous operas as Macbeth at the International Opera festival of Istambul (Turkey), Don Giovanni at the Gran Theater of Habana, Tosca, Cosi fan tutte with Orchestre Pasdeloup (Paris), Die Dreigroschenoper by K. Weill at the Livorno, Pisa and Lucca theaters, Falstaff at the Mancinelli theater of Orvieto (Italy), Der Freischutz at the Festspielhaus of Bregenz (Austria) etc. More
" …Nathalie Marin showed her artistic dimension during the second part of the program, with a 9th symphony of the New World, of Antonin Dvorak, executed with an incredible energy and with precision…"
– Pedro de la Hoz Granma Cuba
MashIt
"...an innovative performance brilliantly conducted by Nathalie Marin, the only woman of the season of the FENICE."
– La Nazione, Italy
FabuFit
"…this said, the success of the whole performance is merely due to his leader. Nathalie Marin not so much conduct her orchestra, as lives with it. With all her body, she undulates from the tip of her thin fingers… "
– Magalie Pabois Le Dauphiné Libéré
YesSuits
"At the Saoû Mozart Festival, the” work” recovered its original intention that is to be an integral part of the service and at the same time, under the young conductor Nathalie Marin, rigor and commitment."
Artist Management, Concert Management, Music Management, Direct Marketing, Advertising, Public Relations, Virtual TV, Hybrid Competitions, IT Services, Season Expansion, Series Development, Hybrid Event Creation, Price Soundclouds, Digital Archiving, Carnegie Hall Performances, Carnegie Auditions
Artist Management, Concert Management, Music Management, Direct Marketing, Advertising, Public Relations, Virtual TV, Hybrid Competitions, IT Services, Season Expansion, Series Development, Hybrid Event Creation, Price Soundclouds, Digital Archiving, Carnegie Hall Performances